Sprite fly me to the moon
943,817 plays!
fuckshitpissdick:

:(
fancyqueef:

Me on the weekends

fancyqueef:

Me on the weekends

clitreaper:

when you are trying to make a mutual with someone who won’t follow you back 

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omvr:

2chainz always dancin like hes caught in a spider web

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seasaltinecrackers:

season 1: introduce new antagonist type character with threatening dubstep

season 2: introduce new antagonist type character with threatening country music

honeysweetiepie:

lavender-clarinet-kale:

oh-this-bad-blood:

loverdosis:

shannibal-cannibal:

inkyubus:

sandandglass:

President Barack Obama at the White House Correpondents’ Dinner. 

OBAMA HAS TOTALLY STOPPED GIVING A FUCK AND IT’S THE GREATEST THING I’VE EVER SEEN

this shit was brutal

is he even real

can he become the president of my country, please???

ohhhhh this country

Obama is SO DAMN fed up with this country’s officials and I literally cannot blame him one bit

shizukan:

Free! :: Babies + Sweet Dreams

septembriseur:

As if anyone could really forget the most quoted line in “The Avengers” — “I’ve got red in my ledger; I’d like to wipe it out” — it helps to have that line fresh in your mind when deconstructing what Widow does in the final act of what’s billed as a Captain America movie. Black Widow doesn’t wipe out the red in her ledger. No, she blasts her ledger out to the world, like it was the grisliest email forward of all time. We know from her heart to heart with Hawkeye that the shame she feels about what she’s done is real, and she hesitates when she realizes that taking down the bad guys means revealing her secrets. But she does it anyway, because she’s not just a spy anymore; she’s a super hero, and she makes a super hero’s sacrifice. (x)

I can’t help thinking also that such a major theme of this movie is secrecy: how dangerous it is to do things in the dark, because if you don’t have to confess to what you’re doing, you never really have to own it. You don’t have to own your acts, or the consequences of your acts. No one can hold you responsible. In Natasha’s case, shining a light into the dark exposes both the secret things that she’s done and the secret things that have been done to her— most of which are intimately connected. To expose herself means exposing herself both as perpetrator and victim, not only as someone who has done terrible things, but also as someone who has been vulnerable in terrible ways. For Natasha, that is a very major sacrifice. But at the same time, it’s an act of strength: a statement that she is strong enough, and enough at peace, to own herself, to contain her history. 

That, to me, is an arc of the movie that’s almost unspoken: from Natasha’s devotion to Fury, which hints at a past in which he has helped her grow towards that peace, to her interactions with Steve, which seem like a kind of self-test: if this person, this fundamentally decent and loving person, can trust her, then maybe…? And this is the climax of that arc, the point at which she herself has to judge whether she is someone who can be seen without shame. Someone who can stand up under that scrutiny. And she does. And that takes unbelievable courage.

Kanye West for GQ Magazine August 2014 shot by Patrick Demarchelier.

irishgrandpa:

j5h:

rly clean and organised

i think it was a joke captain obvious down there should have pointed it out to you

irishgrandpa:

j5h:

rly clean and organised

i think it was a joke captain obvious down there should have pointed it out to you

sagihairius:

AND AFTER ALL YOU’RE MY 

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